
The first time I heard of Akon, I was deeply embedded in the insanity of a very swampy forest in very northern Canada. Hilkat-reooww and Matty P sang me the lyrics of his debut tune, 'Smack That', and I was so angry that I couldn't stop laughing:
I feel you creepin' I can see it from my shadow
Wanna jump up in my Lamborghini Gallardo
Maybe go to my place and just kick it like Tae-Bo
And possibly bend ya over
Look back and watch me smack that Now, years later, I not only know all the words to Smack That, but I feel fairly safe to say that "I celebrate his entire catalog." 'Sorry Blame it on Me', 'Nobody Wanna See Us' and 'Beautiful' are always sung with joy.
Or so I think...
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When I first got to Liberia, one year ago, the music made me ancy to the point of not wanting to go out. The size of the playlist for the whole country is about 40 songs, plus every song Akon ever made, (which is think is roughly the same number) and there has been little turnover in the last year. And its that super annoying pop, written by musical formulas to make people sing along even if they don't really like it.
Fact: If you spend an hour or two walking the streets, you will hear the same song twice, if not 5 times. Fact: If you listen to a radio station for an hour, same deal. Literally unbelievable. And yet.
With the exception of a bit of Hi-Life from Ghana, some Nigerian tunes and a smattering of stuff from the neighbours, its generally modern American pop at its 'finest' - meaning stuff I abhorred even as a child, but with increasingly more virulence as a youth and adult.
For months, I felt oppressed, smothered, captured, trapped by these highly limited options in aural enjoyment, contrary to my vast musical interests. I hated it. Vigourously.
Subtly, imperceptibly, my internal rage drifted to muted acceptability, then finally to my current state, which I hesitate to define as love.
This transformation brought confusion when I finally reflected on this. I opened up to an expat friend, who I also noticed mouthing along to every word:
"Dude, I think I, like, love Akon."
"Dude, I know"
I felt a bit better. Not until months later - and several answer-seeking conversations - did I come across a genius of a self-made psychologist, Ms. Natasha. She succinctly diagnosed me: "You have
Stockholm Syndrome, from music."
I had fallen for the captors of my musical mind. I had grown to not only accept, but love that which I hated. Even now that I know, L'il Wayne is playing from a music booth outside, and I continue to sing along. Understanding why is, apparently, only half the battle.
Sean 'MacAkon's'
seminal article on the subject classified the affliction as Musical Stockholm Syndrome (MSS) - the first of the literature to define it as such. Numerous responses gleaned from his comments section verify the ubiquity of the problem in the expat community. He claims that you can be cured. Growing evidence from my own life suggests otherwise, as attempts by friends to acquaint me with new music - even stuff I objectively know I should enjoy - have largely failed to resonate.
I just keep thinking, 'it ahl-riigh, but it nah be Akon'
Predictably, I get a lot of flack for this. This is fully justified: I would make fun of me too. Especially when its found out that I can go front-to-back on other pop 'classics' such as "Put Your Number in My Phone", "If I Was a Boy" and my personal favourite, "Out of The Club":
man:
Oh baby let me take you out of this club
I wanna be with you (heyyyy-ohhhhh)
woman:
Oh baby come and take me out of this club
I'll make your dreams come true(heyyyy-ohhhh)
In my heart, I know its objectively wrong to love this music. And yet...
(Footnote: Due to a bit of confusion, I added a hyperlink above to Wikipedia's article "
Stockholm Syndrome". This is the most useful quote: "One theory to explain the Stockholm syndrome is cognitive dissonance. Specifically, people don't like being unhappy for long periods of time, but when people are kidnapped for a long period of time, they will be unhappy for that time, unless they come to love their captors. Thus, to resolve the cognitive dissonance, the victim may begin to identify with the captors.)
'nuff said